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  • Online Exhibition: Fiona Foley’s K’gari

An Interview with Dr. Louise Martin-Chew and Dan Elborne

An Interview with Dr. Louise Martin-Chew and Dan Elborne from Onespace Gallery on Vimeo.

Video

Artwords podcast: Fiona Foley’s Black Opium at Brisbane’s State Library of Queensland

Louise Martin-Chew · Artwords podcast with Louise Martin-Chew: Fiona Foley’s Black Opium at the State Library of Qld

Black Opium, Fiona Foley, Public Art, Sculpture, State Library of Queensland, UAP

Fiona Foley: in the Company of Strangers

Vault Feature: Fiona Foley in the Company of Strangers   Fiona Foley’s survey exhibition was central to the Ballarat International more »

Ballarat International Foto Biennial, Fiona Foley, Vault

Black Velvet: Aboriginal Womanhood in the Art of Fiona Foley

This new essay about Fiona Foley’s work by Marina Tyquiengco was published in Feminist Studies 45, no. 2/3. © 2019 more »

feminism, Fiona Foley

Mapping New Directions in Galleries & Museums for Indigenous Engagement

First Peoples: A roadmap for enhancing indigenous engagement in museums and galleries I have uploaded this roadmap produced by Terri more »

Robert Andrew uses kinetics to evoke cultural change

IMA, Institute of Modern Art, Kinetic, Presence, Robert Andrew

Hearing Maud … a conversation with Jessica White

In September I interviewed Jessica White at Books@Stones about her new memoir Hearing Maud (UWA Press, 2019). This book illustrated the many more »

Kay Lawrence on dancing with shadows

Kay Lawrence’s exhibition Material Matters consists of sculpture infiltrated with global insecurity, environmental cataclysm, and personal sorrow. Fear for the future more »

anthropocentric, Australian art, contemporary art, Kay Lawrence, material matters, Sculpture

Fiona Foley at the Ballarat International Foto Biennial, 2019

Link to Ballarat International Foto Biennial Catalogue 2019 Fiona Foley’s exhibition, Who are these strangers and where are they going? is more »

Bogimbah Mission, Djon Mundine, Fiona Foley, Sydney Festival

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Art Words. © Louise Martin-Chew.